The History of VFX back where it all started, with early pioneers such as Georges Melies developing the optical effects that Orson Welles would use to such dramatic effect nearly half a century later.
Current clients (the past 365 days or so)
Audiotonix
Bubble Agency
IBC365
InBroadcast
RedShark News
SES
Televisual
Viaccess-Orca
Vizrt
I have also written for:
Broadcast
IBC
ISE Daily News
SVG Europe (I set that one up)
Televisual
The IBC Daily
TV Technology
TVBEurope
More people I write/have written for:
Numerous corporate clients (Avid, BKSTS, IBC, MJO Broadcast, Quantel, Sony, Sony Professional, VMI, White Noise PR etc)
Numerous PR clients
Numerous websites
All in all, 25 years of doing this for a living has resulted in quite a long list, but highlights include: The Face, Edge, Computer Arts, Sounds (that's where I started), and, as the ads say, many more.
The History of VFX back where it all started, with early pioneers such as Georges Melies developing the optical effects that Orson Welles would use to such dramatic effect nearly half a century later.
From World War II to the 1980s, the model men and the optical effects units held sway in the world of movie VFX. Computers were on the way, but first the world's effects teams had to deal with the little problem of colour...
The rise of the computers, an eleven year journey that takes us from the basic imagery of TRON to the realistic suspension of disbelief achieved by Jurassic Park.
By the late 1990s, digital VFX had very much come into their own, promising increasingly spectacular visuals in increasingly spectacular films.
From travelling mattes to front & rear projection and messing about with film printers, dismiss optical effects at your peril. After all, this is how they made 2001.
The pre-digital practical tools and VFX techniques that have been used over the decades to make an audience's collective jaw hit the floor.